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Public Readings

The Scarlet Letter
adapted by Kate Hamill
directed by Shana Cooper

Monday, February 4 at 7:30 p.m.
Location: PONCHO at Seattle Rep

When Hester Prynne conceives a daughter years after her husband has mysteriously disappeared, she is sentenced by her pious community to wear a brand for the rest of her life. As she struggles to raise her rambunctious daughter on the outskirts of town, their safety is threatened by a society looking for a scape-goat in this adaptation of the Nathaniel Hawthorne masterwork.



Kate Hamill is an actor/playwright. Wall Street Journal’s Playwright of the Year, 2017. Her work includes her play Sense & Sensibility (in which she originated the role of Marianne)—Winner, Off-Broadway Alliance Award; Nominee, Drama League Award; 265+ performances off-Broadway. Other plays include Vanity Fair at the Pearl Theatre (in which she originated the role of Becky Sharp; Nominee, Off-Broadway Alliance Award), Pride & Prejudice at Primary Stages & HVSF (originated role of Lizzy; Nominee, Off-Broadway Alliance Award); Little Women at Jungle Theater and Primary Stages; Mansfield Park at Northlight (originated role of Mary Crawford). Her plays have been produced Off-Broadway, at A.R.T., OSF, Guthrie, Seattle Rep, Dallas Theater Center, PlayMaker’s, Folger Theatre, Arvada Center, Trinity Rep, Pittsburgh Public, Dorset Theatre Festival and others; upcoming at Shakespeare Theatre of DC, A.C.T., Dallas Theater Center, Portland Center Stage, Kansas City Rep, & more. Next up : Little Women at Primary Stages. She is currently developing new adaptations of The Odyssey, The Scarlet Letter, and a revamped version of a Christmas Carol, as well as several original plays (Prostitute Play, In the Mines, The Piper). Kate was one of the top 10 most-produced playwrights in 2017-2018, and one of the top 5 most-produced playwrights nationwide in 2018-2019.

https://www.kate-hamill.com


Shana Cooper is an assistant professor at Northwestern University (Directing M.F.A. Program) and a Woolly Mammoth company member (Washington D.C.). Upcoming: Julius Caesar at Theatre For A New Audience and Paula Vogel’s Indecent at the Oregon Shakespeare Festival. Other directing credits: A.C.T., Yale Rep, Studio Theater, Oregon Shakespeare Festival, Seattle Rep, Cal Shakes, and Playmakers Rep. Artistic Leadership: Associate Artistic Director of Cal Shakes (2000-2004), Cofounder of New Theater House (2008-present). Awards: 2014 Leadership U Grant – Funded by The Melon Foundation and Administered by TCG, 2010 Princess Grace Award, Julian Milton Kaufman Memorial Prize in Directing (Yale School of Drama), Drama League Directing Fellowship.

MFA, Yale School of Drama.
https://www.shanacooper.com/

Closed Residencies
See what we are working on behind-the-scenes! Our Closed Residencies focus on brand new works that receive support and workshopping before reaching a public audience.


When a Great Man Dies it is Sad
by Lily Houghton

Lily Houghton is a 24-year-old playwright born and raised in Manhattan. She wrote her first play at age 17 before completing her B.A. in Theater and Clinical Psychology at Bennington College. Her plays have been produced/developed at MCC Theater Company, The Flea Theater, EST/Youngblood, NYU, Seattle Repertory Theatre, 20% Theater Company Chicago, Yale University’s Writers’ Conference, Bennington College, University of Michigan Theater Conservatory, Contemporary American Theater Festival/Shepherd University, The 52nd Street Project, 999 Productions and the Jermyn Street Theatre in London. Shorts include NEXT (The Flea), Coconut Oil(The Flea), This Is Growth (Asking for Trouble, EST/Youngblood), The Interesting Girl (EST/Youngblood), Rosie (Play x Play) and someone/something/someone/something (EST/ Youngblood), which won a Sloan Foundation Grant. Lily's play, Dear, received a PlayLab with MCC Theater in the fall of 2017. This spring, she received the Elizabeth George Grant through a new play commission from Seattle Repertory Theatre. Play x Play featured her as Playwright of the Month this December by presenting an evening of her shorts. She is a proud member of the Obie winning Youngblood at EST and the Flea Theater writers group.


Undesirables by Hansol Jung and Brian Quijada
September 2018

Hansol Jung is a playwright and director from South Korea. Plays include Wild Goose Dreams (upcoming production at the Public Theater, fall 2018), Wolf Play (world premiere production at Artists Rep, spring 2019), Cardboard Piano (Humana Festival at Actors Theatre of Louisville), and No More Sad Things (co-world premiere at Sideshow Theatre, Chicago and Boise Contemporary Theatre. Her work has been developed at the Royal Court (London), New York Theatre Workshop, Berkeley Rep’s Ground Floor, O’Neill Conference, Sundance Theatre Lab, Lark Play Development Center, Salt Lake Acting Company, Boston Court Theatre, Bushwick Starr, Asia Society New York, and Seven Devils Playwright Conference. She is the recipient of the P73 Playwright Fellowship at Page 73 Productions, Rita Goldberg Playwrights’ Workshop Fellowship at the Lark, 2050 Fellowship at New York Theater Workshop, MacDowell Colony Artist Residency, and International Playwrights Residency at Royal Court (London). She has translated over 30 English musicals into Korean, including Evita, Dracula, Spamalot, and The 25th Annual Putnam County Spelling Bee, while working on several award-winning musical theatre productions as director, lyricist, and translator in Seoul, South Korea. Jung holds a Playwriting M.F.A. from Yale School of Drama, and is a proud member of the Ma-Yi Theatre Writers Lab. She is also one of the winners of the 2018 Whiting Awards.


Brian Quijada is an actor, playwright, and composer who has gained national critical-acclaim for his multi Jeff award-winning, multi Drama Desk nominated solo show “Where Did We Sit in the Bus?”. Other acting credits: Bobby Clearly (Roundabout), Oedipus El Rey (The Public Theater/Sol Project), My Mañana Comes (Playwrights Realm) How We Got On (Humana Festival), Beat Generation (Merrimack Repertory), No More Sad Things (Boise Contemporary Theatre), “Blue Bloods” (CBS).


Early’s House by Nathan Alan Davis

Davis’ play Nat Turner in Jerusalem received its world premiere at New York Theatre Workshop in the Fall of 2016 and was a New York Magazine Critic’s Pick. Nathan is a 2016 graduate of Juilliard’s Lila Acheson Wallace American Playwrights Program. He received his M.F.A. from Indiana University and his B.F.A. from the University of Illinois.


Dirty Crusty by Clare Barron

Clare Barron is a playwright and actress from Wenatchee, WA, who now resides in New York. She received the Obie Award for Playwriting in 2014 for her play You Got Older. She was also a co-winner of the inaugural Relentless Award.


Qui Nguyen Project

Best known to Rep audiences as the author of Vietgone, Nguyen is also the co-founder of the Obie Award-winning theatre company Vampire Cowboys and is credited as one of the pioneers of “geek theatre.” He is currently a writer for Marvel Studios.